Issue 1 - Volume 2 'World-Building'

This volume turns toward narrative and imagined worlds, where generative AI becomes a medium for artistic inquiry and visual storytelling.

Drawing from backgrounds in fine art, art education, and creative direction, the contributors approach generative AI much like painters or illustrators constructing characters, atmospheres, and visual worlds shaped through imagination and their own distinct creative eye.

Home

By Neil Chenery

Neil’s work moves with a quiet and cultivated grace. He creates dreamlike dwellings and solitary landscapes that feel suspended between memory and imagination, all shaped through patience, perfectly matched color tones, and careful lighting.

Abstract &
Gesture

By Ruth O’Leary

Ruth’s creations and compositions feel painted, like a deliberate traditional abstract painting created with brushes, a palette knife, and oil paints. She draws on her background in textile craft to put her visual language together.

Her approach reveals how generative AI can still carry the logic of color, traditional craft, and strokes done by hand gestures, showing that even within generative technology, artistic intention and material thinking remain central to the work.

Strength Through Variation

By Clemens Maurer

Clemens has the ability to work across distinct visual languages while maintaining a striking sense of coherence. His work demonstrates that generative AI is less about a creator’s signature style and more about editorial judgment, along with the willingness to explore what else is possible.